Die Deutsche Wochenschau [The German Newsreel] (1939)

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Bones of anti-Nazi German women still are in the crematoriums in the German concentration camp at Weimar, Germany, taken by the 3rd U.S. Army. Prisoners of all nationalities were tortured and killed (04/14/1945) Source: http://en.wikipedia.org/wiki/File:Bones_of_anti-Nazi_German_women_still_are_in_the_crematoriums_in_the_German_concentration_camp_at_Weimar,_Germany.jpg
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Documentary Description

Die Deutsche Wochenschau (English: The German Newsreel) is a series of German newsreels from 1940 until the end of World War II. Film frames from WW2 German newsreel showing Do-17z taking off for a bombing mission.

After the outbreak of war, the Nazis consolidated five separate newsreel production efforts into one: Die Deutsche Wochenschau was the sole series of German newsreels from 1940 until the end of World War II. It was a source of footage for late Nazi propaganda films such as Der Ewige Jude and Feldzug in Polen, as well as innumerable post-war documentaries. Despite Harry Giese's signature rat-a-tat narration that gives the proceedings a documentary-like tone, liberties were taken in retelling the facts in this Nazi propaganda tool. Comedic public service announcements were delivered by the Tran and Helle duo.

Among the many notable scenes preserved by the newsreel are the Nazi point of view of the battle of Normandy, the footage of Hitler and Mussolini right after the July 20 plot, and the last footage of Hitler awarding Hitler Youth volunteers shortly before the Battle of Berlin.

Most Wochenschau films are still copyrighted; the rights are held by Transit Film GmbH in Germany. In the U.S. the copyright on these films from 1914 until the 1940s had expired due to non-compliance with U.S. formalities; the copyright was then restored in 1996 by the URAA on those published after 1922. The Transit Film company then even filed so-called "notices of intent to enforce" (NIEs) with the U.S. Copyright Office and can now even enforce its copyrights against parties who rightfully used their films before the URAA became effective.

Source: Wikipedia

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