Added: 13 years ago.
The series opens with an epic journey to uncover the secrets of the human face. In a world of six billion other faces, your face is unique. It reveals your personality, your genetic and cultural identity and it can be read like a book. Family resemblances, facial recognition and the purpose of the face and its features are all part of a story that begins in the oceans five hundred million years ago. We conclude with the multi-racial face of the future and the pioneering work of surgeons in Kentucky who are preparing for the world’s first facial transplant.
The Human Face is a 4 part BBC series that examines the science behind facial beauty, expression, and fame in an entertaining fashion. John Cleese, actor, comedian, visiting professor, and best-selling author on psychology, sets out on an odyssey to discover the mysteries of identity, perception, creativity and sexuality hidden behind the mask of life itself. This four-part series combines art, technology and deeply moving human interest stories to uncover the secrets of the human face. Paul Ekman served as scientific adviser.
Everyone has one, but what do we know about them? From the legend of Cleopatra’s beauty to Einstein’s genius, the face is the source of sexual attraction and icon of fame. This series is the definitive guide to the story of the human face.
Review by Amazon.com
Anthropology, psychology, cultural history, and biology provide key filters in this breezy but substantial exploration of the focal impact of the face. Produced by the BBC as a four-hour series and broadcast in the U.S. on the Learning Channel, The Human Face benefits from host, narrator, and cowriter John Cleese's signature blend of erudition, enthusiasm, and wit. Along the way, Cleese presents information on the evolution of human facial features, the face's role in sexuality (including the biological significance of "bedroom eyes"), communication through facial expressions, and the face's essential role in defining identity. Ideals of physical beauty, the reasons why visual development and artistic expression focus on the face, and the nature of celebrity are examined, as are medical anomalies such as Mobius syndrome, a condition that eliminates the ability to smile. The presenter gets strategic help from guest Elizabeth Hurley, who gamely lampoons her own celebrated beauty in various sketches, and Cleese's fellow Monty Python alumnus Michael Palin, who pops up in Python-esque skits during the program's fourth segment on fame. Comments from scientific sources are augmented by thoughtful interviews with Pierce Brosnan and Candice Bergen, who convincingly address the downside of being drop-dead gorgeous. --Sam Sutherland
The Human Face
Nayeem Ali, specialist registrar in oral and maxillofacial surgery
Royal London Hospital
Paul Farrand, lecturer in medical psychology
St Bartholomew's and the London School of Medicine and Dentistry
The face serves many important functions, ranging from supporting the airway and the organs of special sense through to forming the most distinctive aspect of our personality. Since society began, facial appearance has been important. Psychologically, the concept of beauty and ugliness can result in a variety of psychiatric conditions, while abnormal development, trauma, cancer, or surgery affecting the face can cause considerable physical and psychological morbidity. Socially, discrimination based on facial appearance occurs in both workplace and classroom. The human face is therefore of great interest—as Cicero said, “everything is in the face.”
The Radio Times described The Human Face as the definitive guide to the history of the face. Four 50 minute episodes, which have taken a year to complete, explore identity, beauty, expressions, and fame. Evidence from medicine, surgery, and psychology is presented in the form of case documentaries and comic sketches linked by veteran comedian John Cleese, a coauthor on the series, and actress Elizabeth Hurley.
The first episode, entitled “Face-to-Face,” examines facial expression as a method of communication. Two cases illustrate the difficulties that can result either when facial expression is made difficult due to abnormal facial nerve development, as in Möbius's syndrome, or when facial expressions cannot be interpreted, as with Asperger's syndrome. A vignette focuses on an arguing couple on the brink of divorce, who are sent to a research unit to learn how to understand and hence avoid provocative facial expressions. More for dramatic effect than for its relevance is the inclusion of a US study claiming features of facial expression on a single photograph could predict success and happiness for an individual 40 years later.
The second episode, “Here's Looking At You,” is an improvement on the first. The concept of facial deformity is introduced using an individual with cherubism, while the US plastic surgery phenomenon is demonstrated by a Mexican woman who undergoes a “Westernisation rhinoplasty” to adopt a more Caucasian appearance, something that many in Britain would consider inappropriate. Failure to consider body dysmorphic disorder at this point was surprising. The episode also discusses the cognitive pathways involved in face recognition and the resulting neuropsychological disorders such as prosopagnosia, the inability to name familiar faces, but the discussion becomes oversimplified.
Although the first episode is rather disjointed, and the sketches with Mr Cleese and Miss Hurley somewhat laboured, the series improves in the second episode. However, much more could have been made of this fascinating and complex subject in this ambitious and expensive production. Most of all, The Human Face highlights the problems encountered when documentary researchers and writers unfamiliar with a subject exclude core scientific material in exchange for that of high journalistic impact. Somewhat surprisingly, this British production also seemed aimed at the US market and gave the impression that expertise did not exist in the United Kingdom. It does raise the question whether marketing of programmes abroad is now of prime importance for the BBC.
The final two episodes were unavailable to us. Entitled “Beauty” and “Fame,” they are likely to be popular because of the public appeal of these subjects. In the press John Cleese has described this project as “a total nightmare.” For those who miss the nightmare, a book is available for just under £20.