Fitzgerald's Tender Is the Night (Part I) 
Fitzgerald's Tender Is the Night (Part I)
by Yale / Wai Chee Dimock
Video Lecture 20 of 25
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Date Added: June 29, 2012

Lecture Description

Professor Wai Chee Dimock positions her reading of Tender Is the Night alongside F. Scott Fitzgerald’s career as a Hollywood screenwriter. She shows how the novel borrows narrative techniques from film, particularly flashback, “switchability” on a macro and micro scale, and montage. Invoking the theories of Sergei Eisenstein, she reads scenes of wartime death and individual murder to show how love and war are cross-mapped, superimposed onto one another as part of the narrative fabric of Tender Is the Night.

Course Index

Course Description

This course examines major works by Hemingway, Fitzgerald, and Faulkner, exploring their interconnections on three analytic scales: the macro history of the United States and the world; the formal and stylistic innovations of modernism; and the small details of sensory input and psychic life.

 

 

Warning: Some of the lectures in this course contain graphic content and/or adult language that some users may find disturbing.

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