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Hamar lifeThe 15,000 to 20,000 members of the Hamar make their living as successful cattle herders and farmers. Once they hunted, but the wild pigs and small antelope have almost disappeared from the lands in which they live; and until 20 years ago, all ploughing was done by hand with digging sticks.
The land isn’t owned by individuals; it’s free for cultivation and grazing, just as fruit and berries are free for whoever collects them. The Hamar move on when the land is exhausted or overwhelmed by weeds. Often families will pool their livestock and labour to herd their cattle together. In the dry season, whole families go to live in grazing camps with their herds, where they survive on milk and blood from the cattle. Just as for the other tribes in the valley, cattle and goats are at the heart of Hamar life. They provide the cornerstone of a household's livelihood; it’s only with cattle and goats to pay as ‘bride wealth’ that a man can marry.
There is a division of labour in terms of sex and age. The women and girls grow crops (the staple is sorghum, alongside beans, maize and pumpkins). They’re also responsible for collecting water, doing the cooking and looking after the children - who start helping the family by herding the goats from around the age of eight. The young men of the village work the crops, defend the herds or go off raiding for livestock from other tribes, while adult men herd the cattle, plough with oxen and raise beehives in acacia trees. Sometimes, for a task like raising a new roof or getting the harvest in, a woman will invite her neighbours to join her in a work party in return for beer or a meal of goat, specially slaughtered to feed them. Relations with neighbouring tribes vary. Cattle raids and counter-raids are a constant danger. The Hamar only marry members of their own tribe, but they have nothing against borrowing – songs, hairstyles, even names – from other tribes in the valley like the Nyangatom and the Dassanech.
Hamar men and women
Hamar parents have a lot of control over their sons, who herd the cattle and goats for the family. It’s the parents who give permission for the men to marry, and many don’t get married until their mid-thirties. Girls, on the other hand, tend to marry at about 17.
Marriage requires ‘bride wealth’, a payment made to the woman’s family and generally made up of goats, cattle and guns. Although it’s paid over time like instalments of a bank loan, it’s so high (30 goats and 20 head of cattle) that it can't usually be paid back in a lifetime. One effect is that whenever a family has a lot of livestock, the wife’s and mother’s brothers will claim outstanding bride wealth debts. It means that Hamar men can't stay wealthy and grow wealthier as their livestock is claimed by others. If a man can afford the bride wealth, he can have three or four wives. Women only marry one man. Because men tend to be older than their wives, they often die first. Lots of Hamar households are headed by women who have survived their husbands – one study found an amazing 27 out of 39 married women were widows. A widow also has power over her husband’s younger brothers (and their livestock) if their parents are already dead.
Brothers and sisters are important to each other in other ways. The most dramatic example is the ritual whipping before a brother’s cattle-leaping ceremony.
Hamar cattle-leaping and whipping
A Hamar man comes of age by leaping over a line of cattle. It’s the ceremony which qualifies him to marry, own cattle and have children. The timing of the ceremony is up to the man’s parents and happens after harvest. As an invitation, the guests receive a strip of bark with a number of knots – one to cut off for each day that passes in the run up to the ceremony. They have several days of feasting and drinking sorghum beer in prospect. On the afternoon of the leap, the man’s female relatives demand to be whipped as part of the ceremony. The girls go out to meet the Maza, the ones who will whip them – a group of men who have already leapt across the cattle, and live apart from the rest of the tribe, moving from ceremony to ceremony. The whipping appears to be consensual; the girls gather round and beg to be whipped on their backs. They don’t show the pain they must feel and they say they’re proud of the scars. They would look down on a woman who refuses to join in, but young girls are discouraged from getting whipped.
One effect of this ritual whipping is to create a strong debt between the young man and his sisters. If they face hard times in the future, he’ll remember them because of the pain they went through at his initiation. Her scars are a mark of how she suffered for her brother. As for the young man leaping over the cattle, before the ceremony his head is partially shaved, he is rubbed with sand to wash away his sins, and smeared with dung to give him strength. Finally, strips of tree bark are strapped round his body in a cross, as a form of spiritual protection.
Meanwhile, the Maza and elders line up about 15 cows and castrated male cattle, which represent the women and children of the tribe. The cattle in turn are smeared with dung to make them slippery. To come of age, the man must leap across the line four times. If he falls it is a shame, but he can try again. If he is blind or lame he will be helped across the cattle by others. Only when he has been through this initiation rite can he marry the wife chosen for him by his parents, and start to build up his own herd. Once his marriage has been agreed upon he and his family are indebted to his wife's family for marriage payments amounting to 30 goats and 20 cattle. At the end of the leap, he is blessed and sent off with the Maza who shave his head and make him one of their number. His kinsmen and neighbours decamp for a huge dance. It’s also a chance for large-scale flirting. The girls get to choose who they want to dance with and indicate their chosen partner by kicking him on the leg. It doesn’t stop there. Wife beating is an accepted part of life rather than a taboo, and the convention is that a man will not generally tell his wife why she is being whipped. On the other hand, if a beating is severe then family or neighbours will step in; and after a couple have had two or three children, beating stops.
Source: BBC
Documentary Description
Tribe (known as Going Tribal in the United States) is a documentary television series co-produced by the BBC and the Discovery Channel, and hosted by former British Royal Marine Bruce Parry. In each series, Parry visits a number of remote tribes in such locales as the Himalayas, Ethiopia, West Papua, Gabon and Mongolia, spending a month living and interacting with each society. While there, Parry adopts the methods and practices of his hosts, participating in their rituals and exploring their cultural norms. This often enables him to form personal bonds with the members of each tribe. Parry tries to learn the basics of the tribe's language but is also accompanied by a translator.
The series is co-produced by BBC Wales and the Discovery Channel. A second series aired in July, 2006 and the third began on 21 August 2007 on BBC2, and ended on 25 September 2007. No further series have been made, though Parry's 2008 series, Amazon has a similar synopsis. Parry was awarded the BAFTA Cymru "Best On-Screen Presenter" award in 2008 for his work on the 'Penan' Episode. A BAFTA Cymru "Best Camera: Not Drama" award was also awarded for Gavin Searle's work in the same episode.
Going Tribal follows former Royal Marine and expedition leader Bruce Parry as he tests the physical limits of living with ancient tribes in some of the world's most remote areas. Parry sheds social trappings (and sometimes his Western clothes) by living alongside people from the virtually unexplored areas of the Himalayas, Ethiopia, West Papua, Gabon and Mongolia. To the degree possible, while spending a month immersed in each society, Parry also tries to adopt the methods and practices of his hosts. Parry enthusiastically embraces jungle hunting and the rituals of the warrior, being taught by strangers how to survive using bows, arrows, blowpipes, dogs, spears, traps, snares and clubs. He must cook and eat his catch using traditional methods such as hot stones, waxy leaves and bamboo pots.
Parry is accompanied by a translator, but learns the basics of tribal language. The series is accompanied by subtitles. Viewers hear unique languages and watch the sometimes-graphic practices of living and surviving in the jungle among some of the world's disappearing cultures.
Going Tribal is co-produced by the BBC Wales and the Discovery Channel.
Sources: Discovery Channel, Wikipedia