Film as Global & Cultural Form; Montage, Mise en Scène 
Film as Global & Cultural Form; Montage, Mise en Scène
by MIT
Video Lecture 5 of 30
Copyright Information: David Thorburn. 21L.011 The Film Experience, Fall 2013. (Massachusetts Institute of Technology: MIT OpenCourseWare), http://ocw.mit.edu (Accessed 3 Apr, 2016). License: Creative Commons BY-NC-SA
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Date Added: April 3, 2016

Lecture Description

Film emerges as a global cultural form. Compare American vs. European cinemas, Hollywood vs. "high art", and montage vs. mise en scène styles. End with viewing and discussing the "Odessa Steps" montage in Eisenstein's Battleship Potemkin.

Course Index

Course Description

This course concentrates on close analysis and criticism of a wide range of films, from the early silent period, classic Hollywood genres including musicals, thrillers and westerns, and European and Japanese art cinema. It explores the work of Griffith, Chaplin, Keaton, Capra, Hawks, Hitchcock, Altman, Renoir, DeSica, and Kurosawa. Through comparative reading of films from different eras and countries, students develop the skills to turn their in-depth analyses into interpretations and explore theoretical issues related to spectatorship.

Note: Some videos in this course were recorded in 2007, not 2013.

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