This second lecture on Paradise Lost looks at hell and its inhabitants, as depicted in Books I and II. Milton's struggle both to match and outdo his literary predecessors is examined by way of allusions to the works of Homer and Edmund Spenser, particularly the cave of Mammon episode in Book Two of The Faerie Queene. The presence of classical mythological figures, such as Medusa and Mulciber, in the Christian hell of Paradise Lost is pondered, along with early distinctions in the poem, frequently blurred, between good and evil, beautiful and ugly, and heaven and hell.

1. Introduction: Milton, Power, and the Power of Milton
2. The Infant Cry of God
3. Credible Employment
4. Poetry and Virginity
5. Poetry and Marriage
6. Lycidas
7. Lycidas (cont.)
8. Areopagitica
9. Paradise Lost, Book I
10. God and Mammon: The Wealth of Literary Memory
11. The Miltonic Smile
12. The Blind Prophet
13. Paradise Lost, Book III
14. Paradise Lost, Book IV
15. Paradise Lost, Books V-VI
16. Paradise Lost, Books VII-VIII
17. Paradise Lost, Book IX
18. Paradise Lost, Books IX-X
19. Paradise Lost, Books XI-XII
20. Paradise Lost, Books XI-XII (cont.)
21. Paradise Regained, Books I-II
22. Paradise Regained, Books III-IV
23. Samson Agonistes
24. Samson Agonistes (cont.)

A study of Milton's poetry, with some attention to his literary sources, his contemporaries, his controversial prose, and his decisive influence on the course of English poetry.