Italian Neorealism, Part I (2007) 
Italian Neorealism, Part I (2007)
by MIT
Video Lecture 19 of 30
Copyright Information: David Thorburn. 21L.011 The Film Experience, Fall 2013. (Massachusetts Institute of Technology: MIT OpenCourseWare), http://ocw.mit.edu (Accessed 3 Apr, 2016). License: Creative Commons BY-NC-SA
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Date Added: April 3, 2016

Lecture Description

Origins and historical context of Italian neorealism, with brief accounts of the major figures and artistic principles of the movement. Discuss the quality of “multiplicity,” a key attribute of all good films. Examples: Bicycle Thieves; Rome, Open City.

Course Index

Course Description

This course concentrates on close analysis and criticism of a wide range of films, from the early silent period, classic Hollywood genres including musicals, thrillers and westerns, and European and Japanese art cinema. It explores the work of Griffith, Chaplin, Keaton, Capra, Hawks, Hitchcock, Altman, Renoir, DeSica, and Kurosawa. Through comparative reading of films from different eras and countries, students develop the skills to turn their in-depth analyses into interpretations and explore theoretical issues related to spectatorship.

Note: Some videos in this course were recorded in 2007, not 2013.

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