This second lecture on the Fall traces Milton's use of the word wander, in all of its forms, across the poem. The transformation of wander from its pre-fallen sense to its more nefarious incarnation following the transgression is examined closely. The wider literary context of the concept of wandering, with particular emphasis placed on its importance to the romance genre, is briefly discussed. The reductive forces of Book Nine -- particularly its tendency to transform the moral ambivalence, disputed sexual hierarchy, and general poetic ambiguity of earlier books into more definitive representations -- are considered, with the lecture ultimately suggesting that the poem begins to turn away in Book Nine from many of its proto-feminist elements.

1. Introduction: Milton, Power, and the Power of Milton
2. The Infant Cry of God
3. Credible Employment
4. Poetry and Virginity
5. Poetry and Marriage
6. Lycidas
7. Lycidas (cont.)
8. Areopagitica
9. Paradise Lost, Book I
10. God and Mammon: The Wealth of Literary Memory
11. The Miltonic Smile
12. The Blind Prophet
13. Paradise Lost, Book III
14. Paradise Lost, Book IV
15. Paradise Lost, Books V-VI
16. Paradise Lost, Books VII-VIII
17. Paradise Lost, Book IX
18. Paradise Lost, Books IX-X
19. Paradise Lost, Books XI-XII
20. Paradise Lost, Books XI-XII (cont.)
21. Paradise Regained, Books I-II
22. Paradise Regained, Books III-IV
23. Samson Agonistes
24. Samson Agonistes (cont.)

A study of Milton's poetry, with some attention to his literary sources, his contemporaries, his controversial prose, and his decisive influence on the course of English poetry.