This second lecture on Milton's masque probes its complex depictions of virginity and chastity. The version of the masque performed in 1634 is compared with the published version of 1637, with particular emphasis on a monologue on the vanquishing powers of virginity that is created for the latter. The poet's commonplace book, specifically his notes on the self-mutilation of the medieval nuns of Coldingham, is linked to images of the body in the masque. Milton's gradual revision of his initial position favoring life-long virginity is described in detail.

1. Introduction: Milton, Power, and the Power of Milton
2. The Infant Cry of God
3. Credible Employment
4. Poetry and Virginity
5. Poetry and Marriage
6. Lycidas
7. Lycidas (cont.)
8. Areopagitica
9. Paradise Lost, Book I
10. God and Mammon: The Wealth of Literary Memory
11. The Miltonic Smile
12. The Blind Prophet
13. Paradise Lost, Book III
14. Paradise Lost, Book IV
15. Paradise Lost, Books V-VI
16. Paradise Lost, Books VII-VIII
17. Paradise Lost, Book IX
18. Paradise Lost, Books IX-X
19. Paradise Lost, Books XI-XII
20. Paradise Lost, Books XI-XII (cont.)
21. Paradise Regained, Books I-II
22. Paradise Regained, Books III-IV
23. Samson Agonistes
24. Samson Agonistes (cont.)

A study of Milton's poetry, with some attention to his literary sources, his contemporaries, his controversial prose, and his decisive influence on the course of English poetry.