Lecture Description
In this lecture, Professor Wright teaches the students about musical Impressionism. While his discussion focuses on the music of Claude Debussy and Maurice Ravel, he nonetheless draws examples from other composers, as well as painters and poets who worked with a similar aesthetic style during the same time period. The class concludes with a performance of Ravel's "Ondine" by guest pianist Naomi Woo. 00:00 - Chapter 1. Introduction to Musical Impressionism 09:00 - Chapter 2. Debussy's Musical Responses to Mallarme's Poetry 27:00 - Chapter 3. La Cathedrale Engloutie -- Interactions between Impressionist Painters and Musicians 35:18 - Chapter 4. Ravel's Ondine: A Violin Performance by Naomi Woo
Course Index
- Introduction
- Introduction to Instruments and Musical Genres
- Rhythm: Fundamentals
- Rhythm: Jazz, Pop and Classical
- Melody: Notes, Scales, Nuts and Bolts
- Melody: Mozart and Wagner
- Harmony: Chords and How to Build Them
- Bass Patterns: Blues and Rock
- Sonata-Allegro Form: Mozart and Beethoven
- Sonata-Allegro and Theme and Variations
- Form: Rondo, Sonata-Allegro and Theme and Variations (cont.)
- Guest Conductor: Saybrook Orchestra
- Fugue: Bach, Bizet and Bernstein
- Ostinato Form in the Music of Purcell, Pachelbel, Elton John and Vitamin C
- Gregorian Chant and Music in the Sistine Chapel
- Baroque Music: The Vocal Music of Johann Sebastian Bach
- Mozart and His Operas
- Piano Music of Mozart and Beethoven
- Romantic Opera: Verdi's La Traviata, Bocelli, Pavarotti and Domingo
- The Colossal Symphony: Beethoven, Berlioz, Mahler and Shostakovich
- Musical Impressionism and Exoticism: Debussy, Ravel and Monet
- Modernism and Mahler
- Review of Musical Style
Course Description
This course fosters the development of aural skills that lead to an understanding of Western music. The musical novice is introduced to the ways in which music is put together and is taught how to listen to a wide variety of musical styles, from Bach and Mozart, to Gregorian chant, to the blues.